Showing posts with label 20th century. Show all posts
Showing posts with label 20th century. Show all posts

[tdmtv] Download Mighty Rooster fonts from Invasi Studio

Mighty Rooster
Mighty Rooster Mighty RoosterMighty Rooster



Introducing a versatile Vintage Sans Serif. Mighty Rooster includes 2 font files with Regular and Rough style. 


Mighty Rooster is a great font for achieving an authentic vintage aesthetic as seen in the display images or Body text project, it is perfect for headings, flyers, greeting cards, product packaging, book cover, printed quotes, logotype, apparel design, album covers.


Mighty Rooster Features:

  • Ligatures
  • Alternate
  • Multi-language
  • Punctuation




[rvqdu] Download Amateur Hunter fonts from Invasi Studio

Amateur Hunter
Amateur Hunter Amateur HunterAmateur Hunter



Introducing a Handdrawn Sans Serif, the Amateur Hunter inspired by outdoor lifestyle. Amateur Hunter includes 4 font files with Regular, Stencil, and Stamp styles.


Amateur Hunter is a great font for achieving an authentic vintage aesthetic as seen in the display images or Body text project, it is perfect for headings, flyers, greeting cards, product packaging, book cover, quotes, logotype, apparel design, album covers.





Download Mozsar Font Family From Miklós Ferencz

Download Mozsar Font Family From Miklós Ferencz
Download Mozsar Font Family From Miklós Ferencz Download Mozsar Font Family From Miklós FerenczDownload Mozsar Font Family From Miklós Ferencz



Mozsár, named after Mozsár Street in the downtown of Budapest (pronounced ‘mo-zhar’, meaning mortar in Hungarian.) Mozsár is a unicase display typeface with constructivist characteristics from the early 20th Century. It uses pure geometric shapes and purposefully departs from strict typographical rules to give a more friendly look. With Mozsár you can create really unique and awesome looking displays, titles and even name plates for your business. It works very well in big size. The central idea behind the design was that two variants of the typeface would randomly alternate as the user types. The typeface uses Contextual Alternates (CALT) created with the OpenType’s semi-random feature to mix the variants. The width and height of the letter shapes are generally equal, but I made some exceptions to lend the type a character of unexpectedness. The curves are identical in both versions of each letter, and the intersections of the axes are always perpendicular (with some evident exceptions).


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