Showing posts with label case sensitive. Show all posts
Showing posts with label case sensitive. Show all posts

Download Rozanova Fonts Family From Variable Type Foundry

Download Rozanova Fonts Family From Variable Type Foundry
Download Rozanova Fonts Family From Variable Type Foundry Download Rozanova Fonts Family From Variable Type FoundryDownload Rozanova Fonts Family From Variable Type Foundry



Rozanova glyph proportions and shapes make it functional, legible and with personality. The personal character of its shapes makes Rozanova a versatile, dynamic, recognizable, legible and functional typeface, perfect for editorial projects, corporate use, and strong brand identity design such as posters, logotypes and packaging. This typeface shows two version shapes: geometric and humanist. Rozanova consists of a standard version (geometric) and an alternative version (humanistic), each in 9 weights (ranging from Thin to Black) with matching italics. The font also includes OpenType features, like case-sensitive forms, and the whole 503 character set supports more than 200 languages.


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Download Okta Neue Fonts Family From Groteskly Yours

Download Okta Neue Fonts Family From Groteskly Yours
Download Okta Neue Fonts Family From Groteskly Yours Download Okta Neue Fonts Family From Groteskly YoursDownload Okta Neue Fonts Family From Groteskly Yours



Okta Neue is an extended version of Okta family, released on MyFonts in 2019. It inherits the best traits of Okta—great legibility, simple geometric letters shapes, low contrast across all styles—but also introduces what Okta fell short of: extensive language support and enhanced OpenType features. Working on Okta Neue, we strove to create a neutral typeface that would be a workhorse for designers, typographers and other font users alike. Building onto the familiar shapes of Okta, we tried to make them more neutral, at the same time preserving the unique character of the typeface. Certain characters remained the same, others have undergone a complete transformation, which left them better tailored for the wide implementation range of Okta Neue. The size of the character set in Okta Neue almost doubled compared with the original (1293 vs. 600) due to amplification of Extended Latin set and introduction of new alphabets: Extended Cyrillic, Greek (Basic and Polytonic) and Hebrew. The Cyrillic set also includes localized forms for such languages as Bulgarian, Serbian and many others. Okta Neue is super OpenType friendly: it knows how to do alternatives, contextual alternatives, switch various between stylistic sets and adjust the height of punctuation and symbols as you type. Okta Neue is equipped with various styles of numerals—from standard Proportional Lining figures to Oldstyle, Sub- and Superscript, Fractions and two sets of circled numbers (.ss10 and .ss11). Okta Neue is well-kerned with more than 2000 kerning pairs. Okta Neue comes in 22 styles (11 uprights and 11 italics), two of which—Ultra Light and Black Italic—can be downloaded free of charge to get a firsthand experience of what Okta Neue is ready to offer.


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Download Bridge Text Font Family From TypeMates

Download Bridge Text Font Family From TypeMates
Download Bridge Text Font Family From TypeMates Download Bridge Text Font Family From TypeMatesDownload Bridge Text Font Family From TypeMates



The drummer in a band of confident, edgy editorial typefaces Bridge Text brings rhythm and clarity to longform reading. With crisp character, sparkling texture and driving asymmetrical counters, Bridge Text refines Bridge Head’s graphic qualities for note perfect, highly readable text at smaller sizes. Slightly narrow proportions, moderate stroke contrast and an ample x-height ensure Bridge Text is clear and efficient. With five weights and matching italics for distinctively setting quotes or marginalia, Bridge Text has a range of ways to give longform text a modern voice. Each of her 10 styles can work together with Bridge Head to tell stories and build complex typographic ensembles in editorial and corporate design. Unlike other superfamilies, Bridge Head and Bridge Text are distinguished by more than optical adjustments. Letterforms and details are opened out or simplified for body text. Close up, the two-cornered counter shape that gives text a crisp character appears. Step back, and a smooth, calm texture for print publishing and digital media emerges. The daughter of classical Didone typefaces, Bridge has a vertical stress and a modern treatment. Bridge’s ideas and foundations began during TypeMedia 2018 (https://www.typemedia2018.com/mona) in The Hague as a master project under the supervision of Erik van Blokland, Paul van der Laan, and Peter Verheul. Thank you!


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