Irma Panina

Halston is a chunky, blocky script that will stand out in your next project. It's perfect for branding, social media posts, advertisements, product packaging, and invitations.

Multilingual Support: AÀÁÂÃÄÅCÇDÐEÈÉÊËIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸỲŸÆŒßÞþ

Halston is a chunky, blocky script that will stand out in your next project. It's perfect for branding, social media posts, advertisements, product packaging, and invitations.

Multilingual Support: AÀÁÂÃÄÅCÇDÐEÈÉÊËIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸỲŸÆŒßÞþ

Halston is a chunky, blocky script that will stand out in your next project. It's perfect for branding, social media posts, advertisements, product packaging, and invitations.

Multilingual Support: AÀÁÂÃÄÅCÇDÐEÈÉÊËIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸỲŸÆŒßÞþ

Braly latoya Script is an elegant calligraphy font, including Regular and Italic. This font is casual and pretty with a doodle. Can be used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes, and others.

The Braly latoya script featuring an alternative to OpenType styles, binders and International support for most Western Languages ​​is included. To enable OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. How to access all alternative characters using Adobe Illustrator:

Braly latoya Script is coded with PUA Unicode, which allows full access to all additional characters without having to design special software. Mac users can use Font Book, and Windows users can use Character Map to view and copy any of the additional characters to paste into your favorite text editor / application. How to access all alternate characters, using the Windows Character Map with Photoshop:

Tarnese is a calligraphic font, created to look as close to a natural handwritten script as possible. Tarnese includes over 60 natural-looking open-type ligatures and and a full set of upper and lowercase alternates, making your design more attractive. In the glyph palette you will also find ornaments that can be used for underlining, and to combine and enhance your text.

Suitable for use in designing titles, invitations, title books, stationery designs, quotes, branding, logos, greeting cards, packaging, posters, and more.

I originally wanted to call this font Instant Pudding. When I was a kid, we sometimes had instant pudding (the ‘add cold milk and rest in the fridge’ kind) for dessert. My brother and I loved the stuff, especially when some of the pudding powder had not dissolved and had turned into brightly coloured speckles!

But this font, alas, did not ‘feel’ like instant pudding, so I hunted the internet for other, more obscure, puddings. 

I found Spoonbread.

Apparently it is a pudding-like Southern American dish, made from cornmeal. I have never tasted it, nor do I particularly like corn (most of it is GMO anyway), but the font and the name became friends. And who am I to tear this beautiful relationship asunder?

Spoonbread - use it for your packaging, your books, your posters and your games. And when you make Spoonbread, use organic cornmeal!

Melania is a script font that is created by natural hand writing and gives you the feminine touch that you've been looking for. The irregular spacing brings the personal and unique feels which is very suitable for signatures, wedding invitations, fashions, headlines, quotes, and more. It also comes in uppercase, lowercase, punctuations, symbols & numerals, stylistic set alternates, ligatures, and more, as well as including multi-lingual support.

This font have 2 styles: Script and Monoline.

The Script version gives you feel the brush stroke with thin and thick.

The Monoline version gives you the consistency feel on every stroke, so it only has one weight from start to end, no weight difference.

I’ve never been one for zombies and all that. I did watch a couple of seasons of The Walking Dead, but after the 2.000.000th zombie got whacked, I had enough.

When I made this font, it gave me a zombie feeling. One thing I learned from watching TWD was that zombies are always hungry. There you have it!

Mansory is a modern contrasting and elegant sans serif font, which is presented in an upright and oblique style and also has 4 weights, this gives more opportunities for your design project.

Contrasting lines and balanced forms of these fonts will provide recognition and will be easy to read. The regular style is perfect for text, while the heavier ones are perfect for logos, headings or will highlight exactly what you need.

Mansory has stylistic alternates and ligatures that are harmoniously combined with the font, with them you can make your project more individual. This font is easy to use and has OpenType features.

I used to live in the English Lake District - in a town called Ambleside to be precise. It was a nice time in my life, as living in the Lake District gave me the opportunity to go out every day and enjoy the beautiful nature!

Troutbeck is a small, old fashioned village on the narrow and hilly road from Windermere to Penrith. If you ever make it there, you will discover that the area is a walhalla for hikers!

Troutbeck font is a pleasing, handmade all caps font. It would look great on product packaging or book covers, or maybe postcards reading ‘Greetings from the Lake District’.

Kandij is a Dutch word and it means ‘Rock Sugar’. We Dutch use it in a lot of products, from ‘ontbijtkoek’ (a rye based spiced cake we sometimes eat for breakfast) to Fryske Sûkerbôle, A Frisian sweet bread.

Kandij is a fat and happy font. I’d probably use it for any book or product aimed at children, as it has a certain lumpy cuteness.

Comes with diacritics and swashes for the upper case letters.

I read something interesting the other day: in 1910 a cat called Kiddo snuck on board an airship and was found by aeronaut Walter Wellman - after he had already taken off in an attempt to cross the Atlantic Ocean. Wellman and Kiddo spent 71 hours aboard the airship, but never completed the journey, due to engine problems and foul weather. Luckily, they were both rescued.

It was a funny story, so I decided to name a font after it.

Reluctant Aviator is a handmade font (pen and paper). It has a rough edge, some shaky glyphs and a lot of bravado. Comes with diacritics and swashes.